Figure Drawing Books

The best way to hone your drawing skills is set to practice. Even if you're mainly interested in landscape painting, you should be able to represent the figures give a sense of life to the object. This figure is a film to a landscape, and if it is not executed convincingly it can destroy the effect of an otherwise good canvas.

the design life should be a part of your training and, if possible, should be acquired in an art school. However, you can learn to draw the figure and sketching people at every opportunity. Illustration of people in the subway, in the park, at home, at play. Draw at any time.

Observe how people walk, sit and stand; notice of their actions. You find that you can often identify someone you know to remotely via its head rests on his shoulders, and you will see the different postures of the old and young. Take notes on how clothes are draped on a person, and how wrinkles form in a sleeve when the arm is bent, raised and suspended over the side.

The drawings should not be large - from 2 to 6 inches will do. They will probably be low if you try to capture all the action. Indicate the line of action first, then draw the figure around him. Some of your early attempts may resemble scribbling, but get the action.

Obtain a small sketchpad that can fit in your pocket or bag and carry it with you at all times. Fill the pages with sketches, using a pencil, pen or felt-tip pen again. If you use a pencil, do not use an eraser. You're not in the net collection of drawings contained blocks. If the line is not right to redraw a corrected line heavier on it.

The advantage of using a pen is that it leads to a more straightforward. But do not worry about the technical management of the pen. Put the lines down as you feel. Observe how the shape of a suit or a dress is affected by the figure.

In time your pads will contain a collection of sketches and studies of the action both of the form. As these blocks are filled you will develop your figure drawing and acquire enough knowledge to place a single figure or group of figures convincingly in your publication.

While constant sketching will increase your powers of observation and general facility in handling incidental figures, some time should be spent learning at least the rudiments of anatomy. bone studies and muscle structure, so that you learn how it affects the face. It is not necessary to know all the anatomical names, but you should be able to identify and know the function of major bones and muscles. You must know the relative proportions of male and female figure. The most important thing is to know the work of moving masses, that is, head, thorax (chest) and pelvis.

There is no substitute for drawing the figure for life, but you can get much help from models made of wood or plastic, which are sold in most art shops. They can be studied to advantage by checking with an anatomy book to organize the different positions.